The phrase stomp initially started with two buskers entertaining the streets of Brighton, UK with music, their catchy performance hooking in bystaders to stop, observe, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the musical STOMP debuted in the Orpheum Theatre in February 1994. The musical STOMP can also trace some of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance period- an old custom in that era. In contrast to any other musical, STOMP pushes the idea of what constitutes music. Eight nightly performers play basic and complex rhythms from everyday things, such as six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Via dance and audio, the group collaborates with every other to play audio, too as offering person self-expression. STOMP is a sensual combination of comedy, percussion, and energetic movements. The music STOMP is the unique construction of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ idea. It is a passionate production, not easily classified into a specific music or theatrical type. Through the lack of melodies, the audience listens to audio obtaining broken down into basics as eight chiseled and lively performers pound out rhythms with common items: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the ordinary high quality of these items catapults STOMP to an artistic level unmatched by other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body stretches the imagination into an exciting reality. Its set design is flashy and multi-colored at times; an elaborate metal construction highlights instruments which are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to create loud group rhythms which shake the rafters and audience with it’s intense, tribal rhythms. These in-your-face cadences are a strong avenue for individual and collective expression, leaving numerous on the edge of their seats. STOMP’s absence of fancy performer garments keeps the emphasis on what truly counts: dance moves and musical rhythms, which become much more intricate with every subsequent scene. Subtlety is also used to balance out these raw rhythms.One scene is focused around performers tapping six foot poles, as they stealthily circle the stage, almost preying on one another with their moves and rhythms. Their sense of interconnection is palpable and sensual, cast eye contact igniting the expectation, as you nearly find yourself wondering who is going to ‘win’ at this music game. Yet, everyone wins, the audience even asked into the overall performance via a cast member who initiates a clap-and-response session. Roughly two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math difficulties, cleaning, and construction projects can entertain and produce a powerful music group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting music genious, reminding us of the musical and rhythmic potential correct under our noses. Discover more information about the musical and buyStomp Tickets on the internet